A single scanner model for all needs. Usable, both for the design of the most complex bridges, implants and bars that require the highest precision, and in the scanning of impressions and models for orthodontics.
Smart Impression Scanning
Smart Reduction of Triangles
Thanks to the "Smart Triangles Reduction" technology the models are scanned at maximum resolution and accuracy and subsequently decimated. This operation, completely automatic and transparent for the user, allows to keep the details and the density of the triangles where it is needed (for example marginal lines of the teeth), but to significantly reduce the size of the STL file.
Texture Color Superimposition
Texture Superimposition module is useful to obtain models with a RGB color texture or grey scale. For example, it helps create very accurate margin lines as marked on the model.
The registration of stumps is totally automatic and it allows to replace the low resolution stumps, acquired with the arch, by the high resolution stumps acquired without the arch. Even the alignment of the maxillary and mandibular relationship is automatic and only needs help from the user in identifying some points.
The choice to keep the scanner closed in a special chassis instead of leaving it completely open as is the current trend, is a choice dictated by our company philosophy. Maestro 3D follows a path of technological growth in which the goal is to obtain the best possible results, in terms of accuracy, precision, resolution and repeatability of the scanned 3D models.
The technology on which the Maestro 3D system is based is an advanced variant of structured light. This technology consists in projecting special light fringes on the object to be scanned. The cameras acquire hundreds of images in which the algorithms identify the passage of the luminous fringe from white to black. In other words, you should look for the edge of every single luminous fringe.
To do this and identify these edges with sub-pixel precision, a very high light contrast between white and black is needed. It is quite evident that having a scanner without a chassis, completely open, drastically reduces this contrast. Ambient light affects heavily reducing the contrast of the projected light. Less contrast means lower levels of accuracy and precision.
For this reason, Maestro 3D has decided to pursue the choice to enclose and protect the scanner from a closed chassis in order to eliminate any influence of ambient light.
The cameras are monochromatic. This is because the algorithms that work with structured light or variants of this, must look the edge of each single light fringe. This is why we need a very high contrast between white and black. The grayscale image is obviously perfect for this purpose.
Working with color cameras would not help this recognition but would reduce the information held by the algorithm. This is because in the color cameras takes up space in the sensor to represent every single pixel with 3 channels (R,G,B), (Red, Green, Blue). With monochromatic cameras the same space is occupied only by the representation of the gray scale.
As the grayscale image is required to detect the edges of the light fringes, the monochrome camera collects much more useful data for the scanning process of a color camera.
If you decide to work with color cameras, it would still be necessary to convert the grayscale image via software to be able to scan. With the conversion you would lose a lot of information, obtaining a much less detailed grayscale image of the same grayscale image obtained from a camera with a native monochromatic sensor.
The scanner cameras are monochrome in grayscale, therefore, the only effect that brings blue light is a lower contrast of the image.
By projecting white light the RGB channels of the projector sensor are used 100% because the white is obtained with (R=100%, G=100%, B=100%), this allows you to have high brightness and high contrast.
Using blue light or variations of it, the sensor channels of the projector are not used at 100%, example (R=0%, G=50%, B=100%). The only result obtained is a lower brightness and a lower contrast.
If the goal to be pursued is the highest precision, accuracy, resolution of a 3D scan, white light is better than blue light.
If the goal to be pursued is the effect on the audience and the scenography, blue light is probably better than white light.
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